The class rides into a whitelight pinball machine to learn about the dazzling wonders of color and light.
As drama critic for The New Yorker, John Lahr has always striven to tell the story behind the story; to use biography and history as well as his skill as a critic to illuminate the theater and all of its players. Light Fantastic is a wide-ranging, comprehensive collection of his best critical pieces exploring the heart and soul of the theater.
From his penetrating examination of Oscar Wilde's path to self-destruction, to his tragic portrait of Joe Orton's corrosive relationship with Kenneth Halliwell; from his chronicle of the rise and fall and reprisal of the American musical to his insightful commentary on such playwrights as Tennessee Williams, Tony Kushner, Lillian Hellman, Arthur Miller and Tom Stoppard, John Lahr brilliantly illuminates the dazzling world of contemporary theater.
